Casual Vacancy, The
When Barry Fairbrother dies unexpectedly in his early forties, the little town of Pagford is left in shock. Pagford is, seemingly, an English idyll, with a cobbled market square and an ancient abbey, but what lies behind the pretty façade is a town at war. Rich at war with poor, teenagers at war with their parents, wives at war with their husbands, teachers at war with their pupils…. Pagford is not what it first seems. And the empty seat left by Barry on the town’s council soon becomes the catalyst for the biggest war the town has yet seen. Who will triumph in an election fraught with passion, duplicity and unexpected revelations? Blackly comic, thought-provoking and constantly surprising, The Casual Vacancy is J.K. Rowling’s first novel for adults.
Reviewed: 2018-02-24I love the author and was willing to give this a shot. Page 117 and I haven't picked this up in a day, it's mocking me sitting there on the coffee table. The book knows I don't want to read it, that I feel like I should be forcing myself to read it because it's JK Rowling!
But guess what, the British location, the plot that doesn't move (who gets the dead guys seat on the government council and what secrets will be unveiled)and way too many characters to keep clear in my head are all conspire against me. It's a busy fall season with lots of books coming out that I want to read, that I just can't make myself read the new one by Ms Rowling.
Perhaps one day, when I am in the mood for a long, thick meandering walk through a British village I will pick this up. Just not today.
Reviewed: 2018-01-03If the plethora of animated reviews that are circulating Goodreads (for an unreleased book, no less) are any indication, the day that this thing is put into our grubby little hands, GR is going to explode.
Reviewed: 2017-01-02Definiately did not see that coming Although I had been curious about Rowling's non-Harry Potter foray (not having read the other non-Potter books), I had been reluctant to try this out. One review said it was the angry teenagers of Book 5 in the HP series without the magic (actual magic and otherwise). I wasn't sure if it was for me.
I'm still not sure it was for me but I wonder how many reviewers read this book simply because of the name and the Harry Potter books, when this actually does stand on its own. Rowling takes us through a large cast of characters in a small English village (I think?). What this quaint place hides underneath the surface is very different from what it would like to be.
I was puzzled by some of the reviews that talk about a murder mystery: someone's death sets off the motions of the book, but it's not a murder. Instead, we see the lives of these characters: the angry, angsty teenagers and their romantic entanglements, the woman who moved here for a man who doesn't really want her, a household where the father is emotionally and physically abusive, the widow of the character who dies, families whose children are angry with their parents and parents who don't understand their children, etc.
Be warned, it's not a cheerful book. There's pedophilia, rape, adultery, physical/emotiona/sexual abuse, racism, prejudice, class division, drug use, political shenanigans, deaths (more than one, both natural and unnatural) etc. The political issues are just a small part of it (it revolves around the town's council), but it reminds me of what colleagues have told me--that the crazies can be found at the local level. While I am not familiar with UK politics at such a level, it would seem that is something that holds up for sure.
That said, it was still an interesting read. Like others I found the start rather plodding and too much set up for the characters. Once the story gets going though, it picks up fairly well. Sometimes I got confused as to who I was reading about, but Rowling does mostly a good job in fleshing out the characters enough so I knew who had what drama and why. The end plods a bit until the last 50ish or so pages, although a lot of the storylines don't really resolve themselves and there are regrets and wounds that may never fully heal. Some characters come out of it better. Others don't, but I believe that's Rowling's point.
Sometimes I found it hard to discern between storylines and felt she added another layer towards the end that left me a little confused. I was also surprised to see that other than dying, Barry himself does not serve too much purpose for the book and his family does not feature much. Which is fine (adding them to the mix might have weighed down the book too much), but it was a little surprising.
If you don't go into it thinking it's a grittier and darker version of Harry Potter but rather as a stand alone novel separate from her other work (it's separate from HP for sure, but don't know about the others), give it a shot. It was a great read for my cross-country flight.
Reviewed: 2016-10-31I was surprised by how much I liked this. 'The Casual Vacancy' managed to intrigue and maintain my attention throughout the course of the entire book. While it's true, not a lot actually happens, Rowling does a great job at writing well rounded and meaningful characters full of emotion and real world problems - all of them. The premise is simple enough, a prominent town member passes and his position at head of the council becomes vacant. Once the initial shock subsides over Barry Fairbrother's untimely passing, the towns people turn to gossip and before long the seemingly humble town of Pagford turns toxic as Barry's memory and all he had worked for comes crashing down in dramatic fashion.
The ghost of Barry Fairbrother haunts every turn of 'The Casual Vacancy', from posthumously released articles in the local rag, to comments on the council's website message board. Friends, acquaintances, rivals, and impressionable (and somewhat mislead) teens all feel the brunt of Barry in death.
'The Casual Vacancy' is really a tale of two towns, one with a crisp, posh facade in Pagford, the other in a constant state of decay in the Fields. Yet, the inhabitants of these respective places almost turn about face on public perception with Barry himself coming from 'the wrong side of the tracks' while many of the teens (Fats and Andrew come to mind) would suit the Fields as apposed to being Pagford natives. This was an interesting dynamic, while the characters lead the story, the sidebar of a struggling council wanting to annex itself from the welfare state in the fields and the associated ramifications were enjoyable and entirely believable.
There are many loveable (or hateable) characters within the pages of this book. For me, Krystal Weedon, the 16yr old girl off the rails was the highlight. Coming a close second is Samantha Mollison, wife to Miles, the air apparent to Barry's throne, a 40 something who has kept her looks and body in check. She is funny, down to earth, and wholly entertaining. I love her evolution from mother to almost rebel like status. I wont delve any deeper into the characters or further into Samantha as to not give away the story. Most people will want to punch Fats. I suspect Rowling achieved what she had set out to do with his character.
This was a change of pace from my usual read, I had little expectation and was blown away by how easy 'The Casual Vacancy' was to read and how shocking some of the revelations were. I think there is a little something here most people can relate to. Given there is such a large cast of central characters, any reader would be hard pressed not to identify with certain traits and mannerisms. I Highly recommend this for those readers who can forget that this author wrote Harry Potter and can judge 'The Casual Vacancy' on its own merits. For me, 'The Casual Vacancy' gets 5 stars.
Read more on this review on my blog: http://justaguythatlikes2read.blogspot.com.au/2012/10/review-casual-vacancy-by-jk-rowling.html
JK Rowling was not even fucking around when she said that this book was for adults. This is about as far removed from a story for kids as it's possible to get. There's no pigeonholing the mighty JK Rowling, that's for sure. She's like an authorial ninja... she comes out of nowhere, lays the smack down in a style of awesomeness you would never expect, and then goes about her business, leaving you reeling.
Even though I was expecting an "adult" book... I don't think it really hit me how different it really would be. I mean, like most other Potterheads, I've read the books dozens of times and I'm used to the worst language from JKR being mudblood, git, and bitch. So to see words like fuck, whore, and cunt being thrown about like it ain't no thang, I admit that it was a little bit of a surprise.
But it's fantastic. Really. It's a book that I feel like I'll need to read again (rather than just wanting to, which I do), because Rowling is so skillful with her pen that I'm not sure I caught every reference, every nuance or intended meaning.
It took me a long time to read this book. Longer by far than it should have taken, because I have a lot going on in the world outside of books. That scary place called "reality". *shudder* I'm in the midst of packing for a move so reading has been pushed to the back-burner. But even so, whenever I picked up the book, be it hours or days later, I was right back in Pagford as if I'd lived there all my life.
There's no main character in this story. It's told in constantly shifting points of view from several key members of the Pagford community. And at this juncture, I'd like to offer a little comparison. While reading this book, I had to take a break to read my real life bookclub selection The Time Traveler's Wife. Both books are told from multiple POVs, but Time Traveler's Wife abruptly changes back and forth between Henry and Clare's POV. The Time Traveler's Wife's POV switches are clearly delineated by a paragraph break (at the very least), and a header with the new narrator's name. Every time. But there were times reading The Time Traveler's Wife that I had no idea which person was narrating and would have to go back and check. There just didn't seem to be enough difference in their voices to really follow the narration switches without the headers available for reference when needed.
This is not the case with The Casual Vacancy. TCV doesn't abruptly change narrators, instead the narrative flows effortlessly among them all. Sentence to sentence the POV can change, but I never, not one time, had any difficulty following it. In fact, I'd read about 1/3 of the book prior to seeing JK Rowling in New York for her interview and signing, and this aspect was mentioned by Ann Patchett. It was like a lightbulb went off in my head, because I felt that there was something a little different about the narrative, but couldn't put my finger on it. After it was identified (Seriously, thank you Ann Patchett!), I could watch the narrative changes in action, and it was really amazing to see the shifts happen but at the same time forget that they were happening at all because it was just so easy to keep up with.
If I had one complaint about the narration style, it would be the use of parentheses. There were often asides notated in parentheses, and I really didn't think they were necessary at all, given the flowy almost stream-of-Pagford-consciousness style of the narration. The parentheses broke up the narrative and felt like an interruption to me. The info was necessary, but I wish it would have been worked into the text more seamlessly.
A little bit about the characters. First... Oh my. I would NOT want to live in Pagford, that is for damn sure. It may seem idyllic and homey and welcoming... until you actually talk to the residents. There was only one really likeable character in the whole story, and he's the one Rowling killed off about 3 pages in.
Everyone else is a complex jumble of neuroses and anger and manipulation and selfishness. It's interesting to me that the teenagers in the story, though having their own set of issues semi-intertwined with the adults' issues, were actually the more civilized among the parish. And that's taking into account the bullying, the ostracizing, the usual teen drama stuff that happens everywhere. Which, I think, should tell you something about this town.
One of the characters had this kind of affectation of being "authentic". He'd pretty much just do and say anything at all that he wanted, thinking that each action (or non-action) was the "authentic" one of the moment. But there were times when his "authenticity" seemed so staged and planned that I couldn't help thinking that maybe there was a page missing in his dictionary between "Asshole" and "Authentic" and he got them confused.
I really could mention something about every character - about how they lie to themselves as naturally as they lie to each other, about how they have more faces than Janus, about... well, many things. But I don't want to ruin it for anyone.
There are many themes in this book, most pertaining to pain of some sort. Mental illness, depression, addiction and dependency, abuse - both physical and emotional, death, etc, and the way that they were handled was pretty much spot on. Idealism has no place in Pagford, and we rarely get happy endings in the real world.
This was a sad story, in a lot of ways, but never manipulative. One of the parts that made me cry was so unexpected that I had to laugh at myself for it, because usually my waterworks are fairly predictable. My favorite character (what? I can like unlikeable characters!) is, of course, the one struggling so much against the current of Pagford's selfish will. I always root for underdogs. But, in this case, it was painful. It was heartbreaking to watch, because each scene kept escalating things, and the two forces (the character and Pagford) were at odds with each other, though not really directly and every time a step forward would be made, there would be two pushes back the other way. Honestly at times I wanted to reach through my nook to slap people... but it only would have made me feel better temporarily and wouldn't have helped the situation. It was just so frustrating! But I loved it.
There were moments of humor, but more often I was reading with a grimace of disgust at the horrible things that people can say and do to each other. But then, the mark of a great story is its ability to affect the reader, and this one definitely affected me.
Reviewed: 2015-09-30Holy crumbs; it's like all the sex Rowling couldn't write about in the Potter books came out in one go with this fun, dirty romp through small town politics.
Reviewed: 2015-05-14The Casual Vacancy was better than I thought it was going to be when I first started reading it. I didn't think the subject would be interesting enough but it was. It focuses on the drama in a small town and it's politics, it's always a hot topic there but becomes worse when a well liked chair member dies and they need to fill in the seat. I liked how the book jumped characters and all the small plots that went along with the major plot. So why did it get 3 stars and not more? If I could rate the beginning and middle of the book they would get 4 stars but the last 3 parts of the book felt like they belonged to a different plot. It felt rushed and a left a feeling of reading something that was incomplete.
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