Jennifer Blessing (Text by), Richard Armstrong (Foreword by)
This catalogue presents an important new trend in contemporary photography, offering an opportunity to define the concerns of a younger generation of artists and contextualize them within the history of art and culture. Drawing deeply on the legacies of conceptual and commercial photography, these artists pursue a largely studio-based approach to still-life photography that centres on the representation of objects, often printed matter such as books, magazines and record covers. The result is an image imbued with poetic and evocative personal significance - a sort of displaced self-portraiture - that resonates with larger cultural and historical meanings. Driven by a deep interest in the medium of photography, these artists investigate the nature, laws and magic of film photography at the moment of its disappearance in our digital age. They attempt to rematerialize the photograph through meticulous printing, using film and other disappearing photo technologies, and by creating photo-sculptures and installations. Artists include Claudia Angelmaier, Erica Baum, Anne Collier, Moyra Davey, Leslie Hewitt, Elad Lassry, Lisa Oppenheim, Erin Shirreff, Kathrin Sonntag and Sara VanDerBeek.
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