Telling It Slant

Mark Wallace (Editor), Jeff Derksen (Contribution by), Steven Evans (Contribution by), C. S. Giscombe (Contribution by), Jefferson Hansen (Contribution by), Andrew Levy (Contribution by), Bill Luoma (Contribution by), Sianne Ngai (Contribution by), Jena Osman (Contribution by), Steven Marks (Editor), Kristin Prevallet (Contribution by), Lisa Robertson (Contribution by), Leonard Schwartz (Contribution by), Juliana Spahr (Contribution by), Gary Sullivan (Contribution by), Elizabeth Willis (Contribution by), Harryette Mullen (Contribution by), Daniel Barbiero (Contribution by), Ren Friedlander (Contribution by), Charles Borkhuis (Contribution by), Christopher Finkhovser (Contribution by), Brian Kim Stefans (Contribution by), Rod Smith (Contribution by), Tan A. Lin (Contribution by), Caroline Bergvall (Contribution by), Sherry Brennan (Contribution by)
The finest essays from the newest generation of critics and poet-critics are gathered together in this volume documenting the growth in readership and awareness of avant-garde poetries. This collection demonstrates the breadth and openness of the field of avant-garde poetry by introducing a wide range of work in poetics, theory, and criticism from emerging writers. Examining the directions innovative poetry has taken since the emergence and success of the Language movement, the essays discuss new forms and the reorientation of older forms of poetry in order to embody present and ongoing involvements. The essays center around four themes: the relation between poetics and contemporary cultural issues; new directions for avant-garde practices; in-depth explorations of current poets and their predecessors; and innovative approaches to the essay form or individual poetics. Diverging from the traditional, linear argumentative style of academic criticism, many of the essays in this collection instead find critical forms more subtly related to poetry. Viewed as a whole, the essays return to a number of shared issues, namely poetic form and the production of present-day poetry. While focusing on North American poetry, the collection does reference the larger world of contemporary poetics, including potential biases and omissions based on race and ethnicity. This is cutting-edge criticism at its finest, essential reading for students and scholars of avant-garde poetry, of interest to anyone interested in contemporary American literature and poetry.

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