Fault in Our Stars, The

John Green
Despite the tumor-shrinking medical miracle that has bought her a few years, Hazel has never been anything but terminal, her final chapter inscribed upon diagnosis. But when a gorgeous plot twist named Augustus Waters suddenly appears at Cancer Kid Support Group, Hazel’s story is about to be completely rewritten. Insightful, bold, irreverent, and raw, The Fault in Our Stars is award-winning-author John Green’s most ambitious and heartbreaking work yet, brilliantly exploring the funny, thrilling, and tragic business of being alive and in love. Opens in theaters on June 6, 2014 TODAY Book Club pick TIME Magazine’s #1 Fiction Book of 2012 -Millions of copies sold-   #1 New York Times Bestseller #1 Wall Street Journal Bestseller #1 USA Today Bestseller #1 International Bestseller #1 Indie Bestseller


Reviewed: 2018-12-30
John Green delivers some very good dialogues about the purpose and ultimate brevity of life, mingled with fleeting moments of character development and depth. Alas, the novel falls flat in its characterization of Augustus and the stumbling, scattered way Hazel exists. Not changes, but exists. Hazel is the most frustrating character in the book because Augustus brings out all the worst things about her and smothers nearly everything that makes her interesting, not to mention the infamous "kissing at Anne Frank's memorial" scene along with far too many insensitively worded at best lines and a choppy plot in the way that a weed whacker's cut job is choppy: messy and disappointing.
Reviewed: 2018-09-28
A lovely read and recommendation by my beautiful 13 year old daughter, who I love dearly.
Reviewed: 2018-07-18
Kept me thinking and crying till the last page. More like a 4.5 but i rounded down.
Reviewed: 2018-07-11

I am sure I cried the amount that I did because I was listening to some one read it instead of reading it myself. But I cried like a baby through a lot of it. This is a good thing.

This is the kind of book that I want to read many times in my life.

Reviewed: 2017-07-10

What is there to say about this book but that it was beautiful and tragic and I don't know how I got through the last of this book without throwing it across the room

Reviewed: 2017-03-18
John Green has the supranormal ability to break your heart with finesse. It hurts and feels good at the same time.

Me: Oh my Goooood. (dabbing my face with a tissue)
Hubby: Are you crying? Wait, you are cr–why are you crying??
Me: This is such a sad book.
Hubby: Well…that’s when you know it’s a good book, right? When you burst into tears.

True, but The Fault In Our Stars is not just a sad book. There is so much right–no, amazing–about this book, that it’s hard to know where to start. In the first chapter, I couldn’t count how many times I laughed out loud. John Green is not just intelligent; he is uncommonly witty, and the humor he infuses into the main characters makes the book a brilliantly entertaining read.

I love that he doesn’t dumb down the teenage main characters. Both Hazel and Augustus (Gus) are insightful and intellectual, confusing even the adults around them. I learned so much from their offbeat ramblings and monologues.

A catalyst for many of the characters’ conversations and actions is the fictional book An Imperial Affliction, written by fictional author, Peter Van Houten. Hazel is beyond obsessed with the book and brings Gus into her crazed fan club. They want nothing more than to find out what happens to the main characters because the book ends in mid-sentence.

Their obsession at one point made me want to scream, “Stop reading that book!” But they don’t stop. They end up traveling to Amsterdam to meet the reclusive one-time author, who you could call a major disappointment. I don’t want to give too much away, so let’s say that Hazel and Gus find other ways to make their trip worthwhile (marijuana not included).

I love how the characters fall in love. And I love that Hazel knows Gus so well that when his body has almost given up on him, she doesn’t treat him like a child like everybody else does. She remains her cynical, opinionated self, not giving him any special treatment, and Gus appreciates that.

I’ve known people who have died from cancer, but no one close to me. The kind of pain that enshrouds such an experience is impossible to replicate in the pages of a book. But I did experience a sense of loss through Green’s incredible storytelling, and it’s a loss that I hope to never experience in reality.

Yes, it is a book about cancer, but it’s also a book about all of us, and about time. From the epigraph in the novel:

As the tide washed in, the Dutch Tulip Man faced the ocean: “Conjoinder rejoinder poisoner concealer revelator. Look at it, rising up and rising down, taking everything with it.”
“What’s that?” I asked.
“Water,” the Dutchman said. “Well, and time.”
–Peter Van Houten, An Imperial Affliction

I can only end by saying I highly highly recommend this book. Expect to cry and laugh till your sides hurt.
Reviewed: 2017-01-29
I'm sad to say I didn't sob during the latter half of this book (I got a little teary, though). I guess I really have rotted my brain reading too much Nicholas Sparks junk (I kept thinking how this book is so much like "A Walk to Remember" and yet SO NOT). John Green just makes sadness so damn witty that I laugh instead of cry, and then just tell myself that this book is so damn sad.

Green is a very smart man. He uses a lot of big words (are you allowed to do that in YA?) and he's aware of every trope in our literature and has made it his personal agenda to smash all those tropes to pieces. Which is great.

My only complaint would be, after also reading "Looking for Alaska," that Green doesn't know how to diversify the voices of his main teen-aged characters. Sure, they all have slightly different views of the world, but the way they actually speak isn't so terribly different. They're all just hands-down wit-generating machines.
Reviewed: 2017-01-02
More like 3.5. I finally got around to this popular book since the movie is coming out. An "enjoyable" (meant in the nicest way) but a sad read about a young woman with cancer and her relationship with a young man who also has cancer. A romance ensues and we follow their journey of their time together and their quest to find out more information about a book that ends very abruptly.

It also talks about what it's like to live with cancer, although less in terms of gory medical details and appointments (for the most part) and more about what it's like, as a teenager, to LIVE with it. The only people I've known who had cancer were much older, and so this was rather interesting, but sad to read about. We meet some of the supporting people who also have cancer, some of whom don't make it all the way to the end of the book.

I have to say, based on the movie trailer I could tell how the book would end. I wasn't surprised for it to end the way it did, although there were a couple of twists I didn't quite expect. Overall I'm not quite sure it's worth the critical acclaim and I don't feel as sad as others have proclaimed. But it was a well-written and interesting book. I was also pleased to find the main character is a bit of a bookworm. Works for me!

It took me a few days to read but it's probably suitable for a plane ride or long car trip. Depending on the reader, he or she may need tissues throughout the book and at the end.
Reviewed: 2016-11-25
I laughed...I cried...it totally deserves all the hype. Excellent.
Reviewed: 2016-06-24
3.5 stars
Ok, so a little background, just to get a base point for some of my reactions to this book. In late 2010, I read Green's "Looking For Alaska". I ended up liking it more than I thought that I would, but for a long time I'd avoided it based on incorrect preconceived notions regarding what the book was about. It wasn't until I'd watched some of John and Hank Green's Vlogbrothers videos that I decided to go for it. And that made a difference. I could see John in the story - in the quirky intelligent teen characters, in the irreverence, and I liked it. After that, I bought "An Abundance of Katherines" & "Paper Towns", but I haven't read anything but their synopses yet.

So, flash-forward to present day. "The Fault In Our Stars" is chosen to be read among friends, and so I read it. And immediately, I'm struck again by the quirky intelligent teen characters, and the irreverence... But now, it's not so different, because now it seems like a pattern. A style. And that makes it less meaningful. When everyone is profoundly quirky and intelligent, it begins to seem a little trite.

So here again we have quirky intelligent characters, including a host of 16 year olds with ridiculously sophisticated vocabularies, and including an "extremely sophisticated twenty-five-year-old British socialite stuck inside a sixteen-year-old body in Indianapolis". These are midwest teenagers who sound like they're members of the Intelligentsia. Everything is profound and has "metaphorical resonance". It just didn't feel realistic to me.

Case in point: At one point there's correspondence with an author of a book that the main characters found profound, and I had a hard time differentiating between the voice of the Profound Author and the teens.

That shouldn't be the case. Ever. When one of the teens mentioned rhetorically whether the other thought they'd made up the Profound Author's letter, whether it sounded like something they'd come up with, I thought, "Yes!"

It's just too much for EVERYONE in these stories to be so quirky. Where are the average teens who just hang out with each other and don't use $10 words to say hi to each other? It was just unrealistic for me, especially in a book trying desperately to show that kids with cancer are just normal kids who shouldn't be treated deferentially just because they are sick. The problem here is that these weren't normal kids. These were extraordinary ones. Like everyone else. *sigh*

It took about half the book for this annoyance to peter out. It was like, at this point, the quirkiness and $10 conversations took a backseat to the story, finally. And that's when I really started to love it. Coincidence? I think not. Extraordinary characters are great and all, when, as a friend put it, they have "an ordinary background to shine against". I couldn't agree more.

I was far more affected and heartbroken by the simple, no-nonsense way that Hazel talked about her parents and how they were coping (or failing to cope) with her cancer prognosis than by her constant multi-syllabic conversations about the metaphorically resonant quality of... whatever.

There was a line near the end of the book that kind of summed this up perfectly:
"He wasn't perfect or anything. He wasn't your fairy-tale Prince Charming or whatever. He tried to be like that sometimes, but I liked him best when that stuff fell away."
I loved all the bits of this book that were in between all of the uber-profound stuff. The bits about loving and losing in terms of how much both hurt in stark terms of pure aching. Fancy words are fancy, but sometimes the beauty is in simplicity. When all the pretense fell away, and it was just two people wanting to spend as much time as they had left together, it became the story it always should have been.

This ended up being a moving and heartbreaking book, but I think it would have been a much better one had it been written more simply.
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@meekle completed #faultinourstarst... on 2016-11-28
@meekle began #faultinourstarst... on 2016-11-28
@chrisquick completed #faultinourstarst... on 2015-12-22
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